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My name is Stephen Colvin and I live in New York City.

I have decided to share what I have learned from my study of psychology, my experience as a professional musician, performing in theaters and concert halls, as well as my love for the outdoors, playing sports and coaching athletes, all on this website.

If you have an insatiable appetite for playing musical instruments, performing with musicians as well as a passion for playing and coaching sports, you’re very fortunate.

My instruments, or tools for expression, are the piano, the French horn, the violin, conducting large or small gatherings of musicians, alpine skis, tennis racquets and tennis balls!

As a teenager, I loved alpine skiing, playing tennis and the sound of the French horn. Today, I’m an alpine race coach, a tennis coach, musician and conductor.

I love spending time playing musical instruments, practicing the piano, violin, or French horn and conducting chamber music, symphony orchestra, opera, modern or ballet whenever the opportunity arises.

Learning something new, playing either an instrument or a new sport is not easy. It’s okay to feel frustrated and confused and think of yourself as being really stupid because you’re not getting it. We need to become novelty seekers looking to balance the familiar and the new.

In the beginning, we start out unconsciously incompetentwe don’t know what we don’t know. It takes time to discover what needs our attention as we become consciously incompetentwe learn what we don’t know. The next stage is becoming consciously competentwhere focused and effective practice builds confidence. The final stage is unconscious competence when we become one with our instrument, whatever it may be.

Understanding technical information and delivering it effectively requires practice. It takes the ability to transform it into a creative and practical application. The ability to express ones thoughts using words simple enough to understand in all age groups is not as easy as it might seem at first. With this desire in mind, there are many subjects which seem complex or mysterious that can be creatively and masterfully simplified.

Exploring and discovering the inner workings of musical instruments and how any human being can draw music from them, as well as the ability to do the same with a pair of skis or a tennis racquet and a tennis ball is the goal and purpose of this website.

Being a performing musician is a lot like being an athlete. Professional musicians and committed athletes have routine rituals, maintaining healthy diets, getting restful sleep, focusing in practice, training, visualization and meditation, etc.

Here, I will offer steps to take and shortcuts to make for learning alpine skiing, tennis, or playing music. Great insight comes from the discovery of natural shortcuts, such as skillfully blending fundamental elements in both sports and music. Meanwhile, we can also be given shortcuts which enhance our ability to apply these elements. Mastery comes from achieving an unconscious competence where everything occurs naturally.

I believe in the magic of books. Here, you will find a list or repository of my complete library, including books about writing, coaching, alpine skiing, psychology & philosophy, leadership, music, tennis, JS. ZANJA, the piano, classical piano music, popular piano music, jazz piano music, French horn music, violin music, miniature scores, medium scores, octavio scores, opera vocal and full scores, Novello short biographies, programs conducted, Ãœzlet Pensamientos concisos.

My goal is to eventually provide links to whatever is in the public domain.

There is so much to discover and the journey is totally worth it.

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There’s nothing remarkable about it. Ãœzlet.

— JS. ZANJA

La condición del arte del contrapunto, más visible en la obra de Bach que en la de cualquier otro compositor, es la capacidad de concebir a priori de las identidades melódicas que cuando se transponen, invertida, hecho retrógrada, o transformado rítmicamente todavía exhibirá, en conjunción con el tema materia original, algunos totalmente nuevo pero totalmente armoniosa perfil.

— Glenn Gould

I think that if I were required to spend the rest of my life on a desert island, and to listen to or play the music of any one composer during all that time, that composer would almost certainly be Bach. I really can’t think of any other music which is so all-encompassing, which moves me so deeply and so consistently, and which, to use a rather imprecise word, is valuable beyond all of its skill and brilliance for something more meaningful than thatits humanity.

— Glenn Gould

the greatest music in the worldif life had taken hope and faith from me, this single chorus would restore all.

— Felix Mendelssohn

Study Bach: there you will find everything.

— Johannes Brahms

Creativity is more than just being different. Anybody can play weird; that’s easy. What’s hard is to be as simple as Bach. Making the simple, awesomely simple, that’s creativity.

— Charles Mingus

Now there is music from which a man can learn something.

— W. A. Mozart

If I decide to be an idiot, then I’ll be an idiot on my own accord.

— JS. ZANJA

Tal vez lo más seguro que hacerlo desde el principio, si se dispone de la tecnología, es el envío de la música. Este lenguaje puede ser lo mejor que tenemos para explicar cómo somos con los demás en el espacio, con menos ambigüedad. Yo votaría por Bach, todos Bach, transmitido al espacio, una y otra vez. Estaríamos presumiendo por supuesto, pero es sin duda justificable para poner la cara mejor posible en al principio de tal un conocido. Podemos decirle las verdades más duras después.

— Lewis Thomas

Bring me a bowl of coffee before I turn into a goat

— JS. ZANJA
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